Artículos y conferencias

METADESIGN
por Humberto Maturana

INDICE

Human beings versus machines, or machines as instruments of human designs?

Living systems.

Human beings.

Organisms and Robots.

Technology and reality.

Art and design.

Desires and responsibility.

Reflections.

Art and design.

Art arises in design, but the aesthetic experience occurs in the well being and joy that we live in being in coherence with our circumstances. So art has the artificiality of intention, expression or purpose, and everything can be a means for its realization. As such art exists in the psychic domain of the culture in which it occurs, unless there is the intention or purpose of breaking with it bringing forth some relational dimensions to human life, or some opportunity for reflection. We humans live aesthetic experiences in all the relational domains in which we dwell. It is due to the biological foundation of aesthetic experience, as well as to the fact that all that we live as human beings belongs to our relational existence, that art intertwines with our social existence and our technological present at all times.

I claim that the emotion that constitutes social coexistence is love. And love is the domain of those relational behaviors through which another being arises as a legitimate other in coexistence with oneself. As different technologies open and close different relational dimensions, they offer different possibilities for social and nonsocial coexistence, as well as different possibilities for the artist to create the relational experience that he or she may want to evoke. In all cases, though, whatever he or she does, the artist will be a participant creator of some virtual reality that may or not become a grounding reality in the course of human history. The artist is not unique in this, of course. We all human beings, and regardless of whether we are aware of this or not, are cocreators in flow of the changing realities that we live, but artists are in a very peculiar situations. Artists are poets of daily life that more than other human beings act in intended design, and, hence, what they do to the course of the history of humanness is usually not trivial. Artists as poets of daily life see or grasp the coherences of the present that the human community to which they belong lives, revealing them, according to their preferences and choices of a manner of living.

 

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Technology and reality.

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Desires and responsibility.


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